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Last week I drove to Athens to meet up with Paulette Halliday from Art of Ohio and 2 other photographers at a radio studio at Ohio University to record a 1/2 hour segment for Art of Ohio Radio. The program aired Sunday and will be repeated again on Thursday on WOUB AM. The other photographers were nature photographer Virginia Sustarsic, and Brian Blauser who specializes in musician portraits and has shot such stars as the Rolling Stones and the Grateful Dead over the last 40 years.

Here is a link to my part of the radio show. The MP3 file is about 10MB.

If you would like to hear the whole radio show, you can download it here. The file is a little large at almost 30MB

I was a little nervous about being on the radio for the first time. I really enjoyed it though and it was great getting to talk to the other photographers and hearing their stories. I look forward to doing it again some time.

I will be at the Sharon Centre on Friday from 1:00 - 5:00pm with my photos. Feel free to stop by to meet me or to ask about any of my images. The show with the Tri-State Photographic Society continues until Sunday.

A portion of the proceeds from the show goes to Sharon Woods.

There was an article about the Rosewood Art Centre’s annual Works on Paper exhibit in the March 2nd issue of the Dayton Daily News.

Sharon Woods Show

My work will be shown along with other members of the TriState Photographic Society at the Sharon Centre at Sharon Woods Park. The exhibit is open daily (except Monday) 10:00am - 5:00pm, March 1st - 9th.

Meet the Photographers reception, March 2nd from 1:00pm - 4:00pm.

Works on Paper

A little over a week ago, I met Amy Anderson, Gallery Coordinator at the Rosewood Arts Centre, to jury the “Works on Paper” art show. I really enjoyed the task, even though it was a difficult one. It reminded me of the crits we used to have in design school. It took about 4 hours to go through the entries, following is the juror’s statement I wrote for the show:

Being asked to judge the 18th annual “Works on Paper” has been both an honor and a challenge. This year there was no shortage of excellent works of art, almost setting a record with 385 entries from 148 artists. Selecting the 66 pieces from 53 different artists for the show seemed like an impossible task. The artwork was diverse, ranging from abstract to realistic, from 3 dimensional sculptures to 2 dimensional photography and textural paintings. Each one brought out different aspects of their shared substrate, paper.

The field of entries showed excellent mastery of their technique, making it that much harder to choose the award winners. Attention was paid to line, shape, color, form, composition, and the stories that they conveyed. Each one told something about their subject, their substrate, but also about the artist as well. The decision was a difficult one, and much time was spent reviewing each individual piece to decide which ones to include in the show and to eventually pick as a winner. Each one stands out in it’s own way, but sadly only a few can be accepted for show and even fewer can be winners. Those chosen to be in the show should feel proud to be included in such a high quality body of work.

Though each artist has chose to use different media, showcase his/her own unique style, and tell a very different story, they all come together as a visual feast, exalting the flexibility and the beauty of paper. Each work excels in it’s own way and stands on it’s own, but together they tell a story, a story about creativity and unique ideas. They tell a story about the wonderful artists in and around the Dayton area. Dayton, Kettering, and the Rosewood Gallery should be proud to have attracted so many talented artists and their wonderful works of art.

A few things I learned while jurying the show:

Everything is subjective. One of the pieces I picked to place, wasn’t even accepted last year. I saw it as being very much on theme and a creative use of materials. It was essentually a color study. Being a graphic designer that spent many late hour painting color chips to build intricate color studies in Foundations classes at DAAP, Ihave an appreciation for that type of work that many others may overlook. I also found myself really liking several type studies that were entered.

Attention to detail is important. After my first round of reviewing the entries, I had about 75 wall pieces set aside as possibilites. I could accept on about 50 of these. After the 3rd round I still had about 65, so now it came down to looking for reasons to exclude pieces. Bad frames, crooked or uneven mats, loose mounting, poor presentation, wrong colors, bad craft and technique all became targets. Several times we picked up a piece, and said I really like the piece, but the presentation really hurts it. The mat was sideways. The color mat clashed rather than enhanced the piece. The mat was cut crooked.
Some peices did not even make it that far, for these same reasons, especially when it was extreme.

Titles can be important. I know photographers really hate this, and some pieces speak for themselves, at least for the artist that created it. It may be hard for others to interpret, and a good title can go a long way for a judge to interpret the intended meaning, especially when there is no room for an artist’s statement. I remember looking at some pieces and though, this is interesting, but what are they trying to say? Ambiguity can be another reason to not include a piece.

Be Different.
You generally only have a few seconds to capture the eye of a judge. Make sure your entry is different from the crowd. Since I’m a photographer, I’ll pick on photographers, if you are going shoot a photo of a flower, make sure it’s really stands out from the crowd, otherwise it’s just another flower photo and will be glossed over quickly, no matter how well done it is.

Pay attention to the theme. The theme of the show is paper, so the top prize went to the most creative use of paper. Pay attention to your substrate and make the most of it. Just making a print on paper won’t win the top prize.

UPDATE: Due to bad weather moving into the area, they have decided to postpone the show. I’ll post an update when I know more.

Paulette Halliday from Art of Ohio asked me to be on their radio show on WOUB AM in Athens on Friday (2/22) morning. I will be joining Paulette, Ellen Pettey, Melinda Yaskoff, Brian Blauser, and possibly Colleen Dixon. It should be a lot of fun as we have a conversation about art and Art of Ohio.

Tomorrow night, at 8:00, I will be doing a presentation on my photos at the Photography Club of Greater Cincinnati that meets at the Friendship Methodist Church on Springfield Pike.

This will be a general presentation on me and my photography, showing images from caves, rural landscapes, and nature and discussing some of what went into the photos. I’ve given presentations on Cave photography before with an emphasis on how to, but this will be more of a show and tell.

For more information about the Photography Club of Greater Cincinnati, visit their website.

2008 Calendars

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While all 3 of my 2008 calendars have been out for a while at various locations, they are now all available online.

My Great Saltpetre Cave Calendar is available through RKC. order here A portion of the proceeds from those sales goes to help protect caves through the efforts of the Rockcastle Karst Conservancy.

Natures Beauty, Images from the Cincinnati Nature Center, and my Barns and Bridges Calendar of images from Southwestern Ohio, including images from Adams, Brown, Clermont, Clinton, and Jackson Counties can be ordered here.

SYNTHETICA GALLERY [link] opens Launch One November 3rd - November 25th 2007. The opening wil be Saturday, November 3rd, 7pm-11pm. This exhibit is in its first year and is the launching point for a yearly multi-city, multi-gallery art exhibition. Launch One features local artists who have not shown their work before. We are also showing a new series of photographs by Robert Coomer.

This exhibit is curated by Mason Paul and Jonathan Boys.

I will be premiering 3 images from my new Series, Below the Surface. 2 other prints from the series, which were first shown in in the Fine Art Salon at the NSS 2007 Convention, will also been shown.

I’m excited and looking forward to showing my new work this weekend.

Vertibraes Cavernous in AbstractusJust below the surface, we are very much the same. Rock and water, bone and blood, our bodies are like our own personal cave systems, with miles of passages and their unique structures and formations that keep us alive.

Just as our veins keep vital nutrients flowing through our bodies, cave systems function like that for out planet, allowing water, that sustains our planet to move from place to place below the surface.

An just like our bodies, garbage in equals garbage out.

Visually I am searching out and exploring these exciting comparisons, using images of caves and overlaying medical and structural images of the human body. The prints before you are using MRI images of spinal vertibrae and cranial scans overlayed cave passage shots.

This is the beginning of a series of images, to promote conservation, but not just for caves, but also for the whole planet. By making comparisions to something the viewer is intimately familiar with, their own body, I hope to promote personal awareness to their own impact, and the impact of those around them.

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